Brooklyn Museum — Egyptian, Classical, Ancient Near Eastern Art · statue

Frieze Fragment with Semi-Reclining Nude

Source of record: Brooklyn Museum — Egyptian, Classical, Ancient Near Eastern Art — catalogued by the holding institution. View the original record →

Description

Object Label: The walls of both pagan and Christian tombs were decorated with friezes, usually composed of twined stems forming loops, which typically enclosed animals. The largest piece here, an unusually fine example, shows predators, possibly a boar and a hyena, chasing an antelope and perhaps a dog. These chases continued to the right, where traces of what may be a spotted leopard remain. Two plant loops on a smaller relief enclose fruits and a fanciful animal. Rather different are two parts of a frieze that featured naked women lounging in front of large plants. The figures have been repainted, but the bird held by one of them must depict the swan form in which the god Jupiter seduced Leda. Thus this frieze must have decorated a pagan monument. Caption: Coptic. Frieze Fragment with Semi-Reclining Nude, 4th–5th century C.E., with 20th century alterations. Limestone, pigment, 11 x 12 5/8 x 4 in. (28 x 32 x 10.2 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 55.2.2. (Photo: Brooklyn Museum)

AI image analysis GPT-4o-2024-08-06

Machine-generated from the object's image on May 2026. Not curatorial; treat deities, names, and signs below as the model's best reading, not authority.

A carved relief depicting a reclining figure amid foliage.

The image shows a carved stone relief featuring a reclining human figure surrounded by stylized foliage. The style is reminiscent of classical relief work, with relatively simple lines and a focus on the figure's form. The foliage is detailed with leaves and large rounded shapes, likely intended to represent fruit or buds.

decorative Roman good
Materials stone

Connections

Found at Egypt
Materials LimestoneStone

Cross-references (2)

  • BKM-Accession 55.2.2 tier-2
  • BKM-Object 69290 tier-2
About this record's data
  • From the source institution — accession, description, dimensions, and dating are as catalogued by Brooklyn Museum — Egyptian, Classical, Ancient Near Eastern Art.
  • AI-inferred — the image-analysis panel (deities, names, signs) is machine-generated and may be wrong.
  • Approximate location — most map points are plotted at the site centroid, not the exact findspot.
  • Inferred links — cross-references marked with a match method other than explicit-source-field were matched by us, not stated by the source.