Brooklyn Museum — Egyptian, Classical, Ancient Near Eastern Art · funerary_equipment

Coffin and Inner Cartonnage of the Lady of the House, Weretwahset, Reinscribed for Bensuipet

Source of record: Brooklyn Museum — Egyptian, Classical, Ancient Near Eastern Art — catalogued by the holding institution. View the original record →

Description

Object Label: Color played a key role in gender transformation in the tomb. The representation of this woman on her coffin with red skin, a characteristic considered to be male, was a magical intervention that transformed her gender. This coffin’s red face, hands, and feet invested her with the male power to create a fetus for her own rebirth. The yellow cartonnage mask, in direct contact with the mummy, altered her gender role once again. Yellow skin represented the skin of a goddess made from gold. Now, returned to her original female state, she incubated the male-created fetus, gave birth in the tomb, and lived forever in the next world as a woman. Language transformed a woman’s gender, a necessary step in creating her own fetus inside the coffin. In Egyptian, the word meaning you had both masculine and feminine forms. The arrow in the illustration points to an inscription that reads, “Words spoken by Imsety … I protect you.” The deity Imsety, represented on the left, pronounced this sentence using the male pronoun for you rather than the female pronoun. These words are repeated four times on the coffin’s sides. It was believed that the miraculous power of language to transform reality could be used to change an individual’s gender. Scholars had long called this usage a mere grammatical error. Feminism influenced scholars to take this Egyptian practice seriously by adopting a broader view of gender, rather than dismissing the usage as a mistake. More recent scholarship recognizes that the male pronoun on this woman’s coffin represented powerful magic that caused gender transformation. Caption: Coffin and Inner Cartonnage of the Lady of the House, Weretwahset, Reinscribed for Bensuipet, ca. 1292–1190 B.C.E.. Wood, pigment (fragments a, b); Cartonnage, wood (fragment c); Cartonnage (fragment d) , 37.47Ea-b Box with Lid in place: 25 3/8 x 19 11/16 x 76 3/16 in. (64.5 x 50 x 193.5 cm) 37.47Ea Coffin Box: 11 3/4 x 19 11/16 x 73 3/4 in., 70 lb. (29.8 x 50 x 187.3 cm, 31.8kg) 37.47Eb Coffin Lid: 14 3/16 x 19 11/16 x 76 3/16 in., 50 lb. (36 x 50 x 193.5 cm, 22.7kg) 37.47Ec Mask: 7 1/4 x 14 1/4 x 24 7/16 in. (18.4 x 36.2 x 62 cm) 37.47Ed Body. Brooklyn Museum, Charles Edwin Wilbour Fund, 37.47Ea-d. (Photo: Brooklyn Museum)

AI image analysis GPT-4o-2024-08-06

Machine-generated from the object's image on May 2026. Not curatorial; treat deities, names, and signs below as the model's best reading, not authority.

A painted wooden coffin lid featuring a depiction of an ancient Egyptian figure.

The artifact is a wooden coffin lid painted with an image of a figure in traditional ancient Egyptian garments. The figure wears a headdress and necklace and holds a floral object. The garment is white with a decorative vertical band. The artwork showcases typical Egyptian stylization with frontal torso and profile head view. Inscriptions run along the length of the body.

funerary New Kingdom good
Materials woodpaint
Signs Ankh

Connections

Found at Thebes
Materials WoodPaint

Cross-references (2)

  • BKM-Accession 37.47Ea-d tier-2
  • BKM-Object 116784 tier-2
About this record's data
  • From the source institution — accession, description, dimensions, and dating are as catalogued by Brooklyn Museum — Egyptian, Classical, Ancient Near Eastern Art.
  • AI-inferred — the image-analysis panel (deities, names, signs) is machine-generated and may be wrong.
  • Approximate location — most map points are plotted at the site centroid, not the exact findspot.
  • Inferred links — cross-references marked with a match method other than explicit-source-field were matched by us, not stated by the source.