Shabty of Setau
Description
Object Label: The Egyptians manufactured funerary figurines, originally called shabties, as early as Dynasty 12 (1932–1759 B.C.E.). The earliest shabties are inscribed with either the deceased’s name (see nos. 1 and 2) or a simple form of Chapter 6 of the Book of the Dead. The rarity and high quality of the early shabties suggest that they were costly items produced for privileged persons. Later, Chapter 6 began appearing more frequently on funerary figurines. The text mentions that they do agricultural tasks for the dead person: irrigating the fields, cultivating crops, and clearing away sand that blew in from the nearby desert. As substitutes for the deceased, these figurines were sometimes given their own sarcophagi (see no. 6). To emphasize the agricultural function of the figurines, hoes and grain baskets were added to them (no. 8). Wood (nos. 9–11), stone (nos. 12–14, 16), faience (no. 17), metal, and other materials were used beginning in Dynasty 18. By the end of the New Kingdom, statuettes for a single person were often mold-made by the hundreds and even thousands. Faience became the medium of choice, first in blue and later in light green or light blue (nos. 17, 20, 21). Caption: Shabty of Setau, ca. 1352–1322 B.C.E.. Wood, pigment, 9 3/16 × 3 1/4 × 2 13/16 in. (23.4 × 8.3 × 7.1 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 48.26.2. (Photo: Brooklyn Museum)
AI image analysis GPT-4o-2024-08-06
Machine-generated from the object's image on May 2026. Not curatorial; treat deities, names, and signs below as the model's best reading, not authority.
A painted wooden shabti figure adorned with hieroglyphs.
The artifact is a wooden shabti, featuring a detailed and colorful painted surface. It has a traditional mummiform shape, with crossed arms holding hoes, signifying its role as a servant in the afterlife. The body is inscribed with vertical rows of hieroglyphs, likely a spell from the Book of the Dead. The colors remain vibrant, showing black, yellow, and red hues. The facial features and wig are carefully rendered, indicating skilled craftsmanship.
Cross-references (2)
- BKM-Accession 48.26.2 tier-2
- BKM-Object 3493 tier-2
About this record's data
- From the source institution — accession, description, dimensions, and dating are as catalogued by Brooklyn Museum — Egyptian, Classical, Ancient Near Eastern Art.
- AI-inferred — the image-analysis panel (deities, names, signs) is machine-generated and may be wrong.
- Approximate location — most map points are plotted at the site centroid, not the exact findspot.
- Inferred links — cross-references marked with a match method other than explicit-source-field were matched by us, not stated by the source.