Brooklyn Museum — Egyptian, Classical, Ancient Near Eastern Art · other

Cosmetic Spoon in the Form of a Woman

Source of record: Brooklyn Museum — Egyptian, Classical, Ancient Near Eastern Art — catalogued by the holding institution. View the original record →

Description

Object Label: Wood, Bone, and Ivory in the New Kingdom Egyptian artists were resourceful in overcoming the problems of working with difficult materials to make the objects seen here. Egyptian trees, such as acacia, sycamore, and tamarisk, are too small to produce large planks. Carpenters working with native woods thus had to develop complicated joinery techniques to build large objects like coffins and furniture. For expensive luxury items they used timbers such as ebony, cedar, and juniper, imported from Nubia and Punt to the south and Syria and Lebanon to the northeast. Ancient craftsmen used tools that would be familiar to modern carpenters, including adzes, chisels, reamers, and saws. Many ancient Egyptian wooden objects left in tombs as funerary offerings have survived remarkably well. Undisturbed tombs maintain extremely stable climatic conditions, slowing the effects of repeated expansion and contraction that are so damaging to wood. Egypt’s relatively dry climate also discourages the growth of mold, insects, and microorganisms that feed on wood. Ancient Egyptian ivory used for carving came from the tusks of elephants and hippopotami. Elephants had probably disappeared from Egypt by the end of the Predynastic Period (circa 3100 B.C.E.), so their ivory had to be imported from Nubia. Hippopotami remained common in the lower Nile Valley until the seventeenth century C.E. Some antiquities mistakenly said to be made of ivory are actually made of the bones or antlers of cattle, sheep, goats, and antelopes. Egyptians used the often ideally shaped leg bones of these animals to create the handles of tools or weapons. Catalogue description: Culture Egyptian Caption: Egyptian. Cosmetic Spoon in the Form of a Woman, ca. 1390–1336 B.C.E.. Wood, 2 5/16 x 1 7/16 x 10 5/16 in. (5.8 x 3.7 x 26.2 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 37.620E. (Photo: Brooklyn Museum)

AI image analysis GPT-4o-2024-08-06

Machine-generated from the object's image on May 2026. Not curatorial; treat deities, names, and signs below as the model's best reading, not authority.

Wooden figurehead of a female with an intricate hairstyle.

The artifact depicts a wooden figurehead of a female, notable for its intricate hairstyle indicative of period-specific fashion. The object is fragmentary and appears to be part of a larger piece, possibly a ship or ceremonial artifact. The style reflects skillful craftsmanship with attention to detail in the hair and facial features. The composition includes organic lines and a weathered appearance.

decorative New Kingdom fragmentary
Materials wood

Connections

Found at Abusir
Materials Wood

Cross-references (2)

  • BKM-Accession 37.620E tier-2
  • BKM-Object 4064 tier-2
About this record's data
  • From the source institution — accession, description, dimensions, and dating are as catalogued by Brooklyn Museum — Egyptian, Classical, Ancient Near Eastern Art.
  • AI-inferred — the image-analysis panel (deities, names, signs) is machine-generated and may be wrong.
  • Approximate location — most map points are plotted at the site centroid, not the exact findspot.
  • Inferred links — cross-references marked with a match method other than explicit-source-field were matched by us, not stated by the source.