Metropolitan Museum of Art — Egyptian Art (Open Access) · other

Portrait of a thin-faced man

Source of record: Metropolitan Museum of Art — Egyptian Art (Open Access) — catalogued by the holding institution. View the original record →

Description

Panel painting, thin-faced man. Roman Period, A.D. 140–170. Encaustic on limewood with gold leaf. H. 42.3 × W. 18.7 cm (16 5/8 × 7 3/8 in.). From: Egypt. Subject: Men, Portraits. Credit: Rogers Fund, 1909.

AI image analysis GPT-5.4-nano

Machine-generated from the object's image on Jul 2026. Not curatorial; treat deities, names, and signs below as the model's best reading, not authority.

A painted, gold-leaf-inlaid portrait of a thin-faced man with dark hair and beard, shown from the shoulders against a light background.

The artifact appears as a vertically oriented wooden panel with a portrait head and upper torso. The man has arched eyebrows, large almond-shaped eyes, a straight nose, and a painted mustache and beard. Hair is rendered in dark strokes around the forehead and sides. The background is light and has extensive gold-leaf decoration, with gold visible along the hair edges, around parts of the head, and as leaf-like areas across the field. The lower area shows worn paint and possible remnants of additional painted elements, but no clearly legible inscriptions are visible. No distinct iconographic attributes (e.g., specific crowns, ritual emblems) are clear enough to identify a deity, and no royal cartouche or name is legible. Overall, the work is consistent with an ancient Egyptian-style portrait painting rather than a hieroglyphic text panel.

royal Roman Period (consistent with catalogue) fragmentary
Materials painted wood panel (limewood implied)gold leafmetallic/painted highlights

Connections

Materials Gold Leaf

Cross-references (4)

  • Wikidata-Q Q116276279 tier-1
  • Collection-QID Q160236 tier-2 (wikidata-mediated)
  • Inventory-Number 09.181.3 tier-2 (wikidata-mediated)
  • MET-Object 547858 tier-2 (wikidata-mediated)
About this record's data
  • From the source institution — accession, description, dimensions, and dating are as catalogued by Metropolitan Museum of Art — Egyptian Art (Open Access).
  • AI-inferred — the image-analysis panel (deities, names, signs) is machine-generated and may be wrong.
  • Approximate location — most map points are plotted at the site centroid, not the exact findspot.
  • Inferred links — cross-references marked with a match method other than explicit-source-field were matched by us, not stated by the source.