An acknowledgement of a cash advance from the mid-6th century AD near Oxyrhynchus. Aurelius Anoup, a gardener and manager bound to a great estate, received 2 gold solidi less 8 carats from the estate owner through the steward Kyriakos, as an advance for the garden he tends, promising repayment on demand.
In English machine translation
[…]
[through Menas the slave, who makes the stipulation and acquires for his own master, the same most praiseworthy] man, the [right of action] and [liability] […] [through you, the] most admirable Kyriakos, pronoetes.
Aurelius Anoup son of Petronios, mother Maxima, phrontistes, gardener, from the hamlet of Nesos Lachania across from the city of the Oxyrhynchites, an estate of your magnificence, registered as a dependent of it, greetings. I acknowledge that I have received from your magnificence here and now, as an advance for the garden under my charge belonging to your magnificence, two gold solidi less 8 carats by the private standard, given to me through the same most admirable Kyriakos, pronoetes, total 2 gold solidi less 8 carats by the private standard, which, being free of all risk, I shall necessarily repay to your magnificence or to whoever lawfully makes the claim against me on its behalf, whenever it may wish to recover them, without delay and without any dispute, at the risk of all my property. The document of advance, written in a single copy, is valid, and having been asked the formal question I gave my assent.
† I, Aurelius Anoup, phrontistes, son of Petronios, the aforesaid, received as an advance the two gold solidi less 8 carats by the private standard of principal, and I shall repay whenever you wish, and everything is agreed by me as stated above. I, Aurelius Serenos son of the late Ptolemios, having been asked, wrote on his behalf since he is illiterate.
† Through me, Anoup […]
An enapographos was a worker registered as attached to a large estate; the pronoetes was the estate's local steward. The closing Latin-script notary subscription is largely illegible.
Working translation of the DDbDP edition, made with Claude Opus 5.5 from the edition and the catalogue records shown below (catalogued as Loan of Money). It has not been reviewed by a papyrologist: check the edition before citing. Restorations follow the edition; […] marks lost text and (?) an uncertain reading.