An account of payments in gold solidi and carats collected through various trade guilds (fruit-sellers, fishmongers, wine-sellers and others) and through individuals responsible for city streets, including a section for the Green circus faction. It comes from Hermopolis in the 7th century AD.
In English machine translation
[1]
Through the fruit-sellers, 9 solidi 3 carats
Through the fishmongers, 9 solidi
Through the bread-sellers, 2 solidi 8 carats
Through the garland-weavers, 1 solidus 6 1/2 carats
Through the posca-sellers, 2 solidi 19 carats
Through the […]rotroi, 6 solidi 15 carats
Through the pulse-sellers (?), 7 solidi 1 carat
Through the wine-sellers, 5 solidi
Through the oil-makers, 10 solidi
Through the sheep-slaughterers, 3 solidi 4 carats
Through the pot-sellers, 2 solidi 12 carats
Through the sausage-sellers, 3 solidi 3 carats
Through the se[…], 6 solidi
[…]
[2]
By the knowledge of Ioannes, steward of the wife of Peironakios, 37 solidi 9 1/2 carats
By the knowledge of Theodoros, former majordomo, to the lady Hyperechia, 52 solidi 17 carats
Through the attendants of the hospitals, 8 solidi 9 carats
Through the merchants of the Serapeion (?), 600 solidi
And of the Green faction
Through Zacharias, deacon, for the street of the holy great Euphemia, [solidi] 74, 12 carats
Through Theodorakios, priest, bow-maker, for the street of Peklegios, 97 solidi 20 carats
Through Georgios […], Daueit, Ioustos ⟦Marianos and Theodoros, deacon⟧, for the street Pr[…], 122 solidi […] carats
Through Victor, lead-worker, for the street P[…], 36 solidi 20 carats
Through Phoibammon, administrator of Saint Sergios, for the street of Saint Menas, 33 solidi 4 carats
Through Georgios Kou[…]ios, for the street of Saint Elissaios, 105 solidi 11 carats
Through Kyriakos […]
Through Paulos from […]
[…]
The 'Green part' refers to the Green circus faction, which had civic administrative roles in late antique cities. Some trade names are damaged or uncertain, such as the orbiopolai (perhaps sellers of pulses).
Working translation of the DDbDP edition, made with Claude Opus 5.5 from the edition and the catalogue records shown below. It has not been reviewed by a papyrologist: check the edition before citing. Restorations follow the edition; […] marks lost text and (?) an uncertain reading.